
WATCH: UP’s Korus singing “Sana’y Wala Nang Wakas” in Toronto. MARISA ROQUE TORONTO, Ontario — To say that the University of the Philippines’ Korus capped its “Tour of the Americas” with a dazzling single performance in Toronto the evening of Saturday, August 13, would be an understatement. The 17-member University of the Philippines Concert Chorus brought the audience to its collective feet through four foot-stamping encores at the end of its three-hour performance of classic choral offerings dubbed “kontemporarius,” native music or “katutubo” and modern musical arrangements with a twist of well executed choreography called “koreokapela.” UPAA Toronto members Fanny Calucag, Maripi Leynes and Rose Nagallo are part of the registration. MARISA ROQUE The well-attended concert was held at Toronto International Celebration Church, the group’s soaring harmonies melding beautifully under the direction of artistic director and conductor Professor Janet (Jai) Sabas-Aracama. Korus began the evening with “Vytautas Miskinis’ Diffusa Est Gratia” (Grace Is Poured). Glorious cascades of sacred choral music poured over the audience and set the stage for the “Gloria” from Ryan Cayabyab’s “Misa,” Ralph Manuel’s “Alleluia,” a mashup of “I Believe” and “Ave Maria” by Bread and Tucker, and Moses Hogan’s “My Soul’s Been Anchored in the Lord,” among others. Ken Quismundo and his wife Beth prepare to enjoy the show. MARISA ROQUE After the first intermission, Korus switched the mood from the divine to the mundane through familiar and well-loved folk tunes of the Philippines. Toe tapping renditions of “Katakataka” by Suarez-Laureola, followed by a fisherman’s tale Read More …