
State of affairs: De Chavez symbolically uproots and turns over the Statue of Liberty, uncovering a shanty crammed with billboards, a statement on how our notion of freedom is coupled with capitalism. (Carlomar Arcangel Daoana is the inaugural winner of the Purita Kalaw-Ledesma Prize for Art Criticism in the 2014 Ateneo Art Awards. He has written catalogue and exhibition notes for various galleries, including Finale Art File, Avellana Art Gallery, Crucible Gallery, and Galleria Duemila. As a poet, he is the author of four collections, the most recent being Loose Tongue, a gathering of his uncollected poems written between 2001 to 2013, published by the UST Publishing House. In 2012, he won the grand prize in the Carlos Palanca Memorial Awards for Literature in the English Poetry category for his collection, The Elegant Ghost. Daoana will write a regular column for The STAR’s Art & Culture section. This is his winning piece.) In the video installation “Sisa,” the artist Ea Torrado translates the frantic, anguished search of the beleaguered Noli Me Tangere character through a series of sharp, uncoordinated movements, brutal spins, and resistance and submission to gravity. Rather than the names of her lost sons Crispin and Basilio, Sisa howls those of the desaparecidos, men and women who, because of their political leanings, were abducted during the Marcos regime, never to be seen again. It is this sense of loss that haunts and electrifies “Complicated,” which has just recently wrapped up at the Lopez Museum and Library in Pasig Read More …






