
MANILA, Philippines – In the Philippines, no other abstract painter is as renowned as Alfredo Liongoren in perfecting figurative and other art forms. He also makes fearless excursions beyond art at the risk of silencing his canvases and compromising the visual genius he is known for. This way, he does not lose art and life, he says, adding he does not mind being life-sensitive and art-challenged at the same time. In a one-month exhibit titled “Balesin in My Mind” currently on view until June 15 at the showroom of Alphaland Makati Place on Ayala Avenue Extension, Liongoren showed two different styles: figuration and semi-abstraction. His three watercolors depict children at work, in figurative forms, a part of his “Koronang Tinik” (Crown of Thorn) series done in 2010. “Batang Pacquiao” shows a young boxer’s outstretched paw and a child’s frail image on a jar. “The series is an ode to children. Their values are affected by our moral standpoint in life. They become what we are in life,” lectures Liongoren. Liongoren’s “Koronang Tinik“ series has an old nest. After an alliance with social realist painters who emerged in the ’70s, he focused on the oppression of the poor and learned to depict class struggle in figuration. Also in the Alphaland exhibit are Liongoren’s seven semi-abstract art works in acrylic, meant to depict scratches on earth, extractions from nature, and lessons learned about defiled environment. Only two in the collection have pastel colors but they ache for summer and springtime, making them symbolic of Read More …

